Dale Parker’s office on the 17th floor of Metrotower II in Burnaby’s Metrotown is stripped bare. A shelf leans askew in an empty bookcase; the polished desk surface gleams in the afternoon sunlight. A blue and white wooden pole marked “bus stop” stands in the corner, bearing an empty coat hook.
Behind the desk, Parker looks on quizzically as an assistant leans over, tapping a few commands on the keyboard.
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